James Vila Blake

In a dark night,

With anxious love inflamed,
O, happy lot!
Forth unobserved I went,
My house being now at rest.

In darkness and in safety,

By the secret ladder, disguised,
O, happy lot!
n darkness and concealment,
My house being now at rest.

In that happy night,

In secret, seen of none,
Seeing nought myself,
Without other light or guide
Save that which in my heart was burning.

That light guided me

 More surely than the noonday sun
To the place where He was waiting for me,
Whom I knew well,
And where none appeared.

O, guiding night;

O, night more lovely than the dawn;
O, night that hast united
The lover with His beloved,
And changed her into her love.

On my flowery bosom,

Kept whole for Him alone,
There He reposed and slept;
And I cherished Him, and the waving
Of the cedars fanned Him.

As His hair floated in the breeze

That from the turret blew,
He struck me on the neck
With His gentle hand,
And all sensation left me.

I continued in oblivion lost,

My head was resting on my love;

Lost to all things and myself,

And, amid the lilies forgotten,

Threw all my cares away.

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O glistening sunlight — Sr. Hildegarde of Bingen

O glistening starlight,
O most brilliant singular figure
of the royal marriage,
O glowing gem:
You are arrayed as a person of high rank
who has no mark nor wrinkle;You are also an angel’s companion
and a citizen of sacredness.

Run, flee from the ancient destroyer’s cave!
Come, enter into the palace of the King.

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COMMENTARY on SONG of SONGS from Jewish and Christian Scholars

All eternity is not as worthwhile as the day the Song of Songs was given to Israel, for all biblical books are holy, but the Song of Songs is holy of holies.— R. Aqiva (m. Yadayim 3:5), 2nd c. CE

אין כל העולם כלו כדאי כיום שניתן בו שיר השירים לישראל שכל כתובים קדש ושיר השירים קודש קדשים The Song of Songs, along with the books of Proverbs and Ecclesiastes, is related to Solomon as the source of Israel’s wisdom literature. As Moses is the source [though not the only author] of the Torah, and David is the source [though not the author] of the book of Psalms, so is Solomon the father of the wisdom tradition in Israel… The connection of the Song of Songs to Solomon in the Hebrew Bible sets these writings within the context of wisdom literature. – Brevard Childs, Introduction to the Old Testament as Scripture (21st c).

The Song of Songs, a duet scored for two young lovers, each delighting in the other, longing for one another’s presence, is one of the central books of Tanach and the key that unlocks the rest. It is about love as the holy of holies of human life. It is about the love of Israel for God and God for Israel, and the fact that it is written as the story of two young and human lovers is also fundamental, for it tells us that to separate human and Divine love is to allocate one to the body, the other to the soul, is a false distinction. Love is the energy God has planted in the human heart, redeeming us from narcissism and solipsism, making the human or Divine Other no less real to me than I am to myself, thus grounding our being in that-which-is-not-me. One cannot love God without loving all that is good in the human situation. Love creates. Love reveals. Love redeems. Love is the connection between God and us. That is the faith of Judaism, and if we do not understand this we will not understand it at all. We will, for example, fail to realise that the demands God makes of His people through the prophets are expressions of love, that what Einstein called Judaism’s “almost fanatical love of justice” is about love no less than justice, that the Torah is God’s marriage contract with the Jewish people, and the mitzvot are all invitations to love: “I see You with all my heart; do not let me stray from Your commands” (Ps. 119:10).” — Rabbi Jonathan Sacks, Ceremony & Celebration, 21st c.

… In short, there are two primary interpretations of the Song of Songs. The traditional interpretation is that it is an allegory of the love between God and Israel or between Christ and the Church. The dominant interpretation in modern times is that it is nothing more than ancient erotic love poetry.
I would argue that the Song is both of these things. It is a celebration of the love of a man and a woman for one another, a love “strong as death” (Song of Solomon 8:6), a love reflected in the renewed life of the earth itself (Song of Solomon 2:10-13). At the same time, the Song is also a celebration of the love between Christ and the Church, a love that is in fact stronger than death, sealed by the Resurrection.
As Phyllis Trible and Ellen Davis have both argued, the Song is a reversal of the curses of Eden. The relationship between man and woman is restored. In place of Eve’s punishment in Genesis 3:16 (“your desire shall be for your husband, and he shall rule over you”), the woman in the Song declares, “I am my beloved’s, and his desire is for me.”6 In fact, the woman’s is the dominant voice in the Song. She is in a full, robust, and mutual relationship with her beloved.
The rupture between humanity and the earth is also restored. Here, in the garden of the Song, there are no thorns and thistles (see Genesis 3:17-19). Indeed, the earth itself rejoices with the lovers.
Finally, the rupture between humanity and God is restored, if one understands the Song allegorically, as interpreters have done for 2000 years. One of the dominant biblical metaphors for the relationship between God and Israel (and later, Christ and the Church) is that of marriage. This metaphor takes some troubling turns in the prophets (see Hosea), but in the Song, the marriage is healed and renewed and rooted in love, love as fierce as the grave, love unquenchable (Song of Solomon 8:6-7).— Kathryn M. Schifferdecker, full article: https://www.workingpreacher.org/commentaries/narrative-lectionary/preaching-series-on-o-t-wisdom-and-poetry/commentary-on-proverbs-11-7-31-8, (21st c).

The Song of Songs is a collection of love poetry. The Rabbis read it as an allegory of the relationship between God and the Jewish people. Only in the Middle Ages, in Spain and Northern France, did scholars begin to pay attention to the plain (Peshat) meaning of the text. Some went as far as dropping the allegory altogether and treating it as love poetry, as it was originally intended. — Dr. Barry Dov Walfish, (21st c).

King Solomon wrote this through the inspiration of the divine spirit, for he saw that Israel in their exile was destined to mourn God, who distanced himself from them like a groom who parted from his beloved. And he began to sing his song on behalf of the Community of Israel who is like a bride before him. — Rabbi Samuel ben Meir (ca. 1085-ca. 1160)

“God is love” (1 John 4:16) may be the single most important verse in the entire Bible …
Is it any wonder that many of the great Christian mystics are renowned as lovers of God? This can take a variety of forms: for some, being God’s lover is very ethereal and philosophically abstract; but for others, an embodied, physical, even erotic quality characterizes their mysticism of love. There is even a term—“bridal mysticism”—for the many mystics (both female and male) whose experience of profound love of God was so deep and all-encompassing that it led to a spiritual sense of being “married” to God …
[It’s important to] consider that this derives from the Bible itself. One of the loveliest books in the Hebrew Bible…. is the Song of Solomon, also called the Song of Songs or the Canticle of Canticles… It is the story of a bride and bridegroom, their passion for one another, their devotion to one another, and their (strongly hinted at) passion as physical lovers.
Historically, the Song of Songs has been read as a kind of allegory: the two lovers symbolize the caring relationship between God and Israel, or Christ and the Church, or Christ and the individual believer. This is where the mysticism of love comes in. — Cart McColman, full article: https://cac.org/daily-meditations/the-great-love-song-2021-05-11/ (21st c).

I think religion, especially when it comes to messages around our sexuality, causes a really particular type of harm in us. Now, the culture, the broader culture, also has some very damaging messages. There’s the commodificationwa of sex. You can “know” how worthy you are of desire according to how close you are to a body ideal. Once you’re too old, or too fat, or too plain, you’re no longer worthy of sexual desire and so there are these damaging messages that society gives us around the commodification of sex.
… messages from religion, those go down to our created place, our source code. Those seep into us in a very deep level and the difference is that the society has … our society has never said that the creator of the universe is disgusted by my cellulite. Do you know what I mean? So, the religious messages are saying, “This is God. God feels this way about you as a sexual being.” And that can be pernicious in a very particular way.
Well, Augustine interpreted the Garden of Eden story in a really particular way that we are so influenced by that we don’t even know the difference between the text and his interpretation. For instance, the word sin isn’t in there, the word temptation isn’t in there, the devil is not in there, “original sin” is not in there, fall from grace is not in there. All of that is stuff that Augustine interpreted into the Garden of Eden story. So then it’s like, “Okay, well who was Augustine?” Well, brilliant guy, however had some sexual hangups like all of us do. His original shame, his story, his original shame came from an incident in the bathhouse with his father when he was going through puberty and he had an erection and his father commented on it.
In the same way, the Song of Solomon is this beautiful erotic poem in the Bible, and it’s most likely the only book in the Bible that was possibly written by a woman, and it is mostly an erotic poem about a very shameless woman who has a lover and she loves her body and she loves their body and she loves sex and eroticism, and she has no shame about this. So what happens? Origen, another … church father comes along, and he goes, “No, that’s not about sex. That’s about Jesus’ love for the church. It’s just an allegory.” And okay, well who was Origen? Origen was this guy who was so terrified of sexual temptation, no kidding, he castrated himself…. Is that the guy we want to go to for direction?” — Rev Nadia Bolz-Weber, full interview: https://wanderlust.com/journal/sex-church-debunking-doctrine-desire/

I believe the meaning of the Resurrection of Jesus is summed up in the climactic line from the Song of Songs, “love is stronger than death” (8:6). If the blank white banner that the Risen Christ usually holds in Christian art should say anything, it should say: “Love will win!” Love is all that remains. Love and life are finally the same thing, and we know that for ourselves once we have walked through death.
Love has you. Love is you. Love alone, and your deep need for love, recognizes love everywhere else. Remember that you already are what you are seeking. Any fear “that your lack of fidelity could cancel God’s fidelity, is absurd” (Romans 3:3), says Paul. Love has finally overcome fear, and your house is being rebuilt on a new and solid foundation. This foundation was always there, but it takes us a long time to find it. “It is love alone that lasts” (1 Corinthians 13:13). All you have loved in your life and been loved by are eternal and true .. — Richard Rohr, full article: https://cac.org/daily-meditations/love-is-stronger-than-death-2020-03-27/, (21st c).

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VISION

And in this vision, he showed me a little thing, the size of a hazelnut, lying in the palm of my hand, and to my mind’s eye it was as round as any ball. I looked at it and thought, ‘What can this be?’ And the answer came to me, ‘It is all that is made.’ I wondered how it could last, for it was so small I thought it might suddenly disappear. And the answer in my mind was, ‘It lasts and will last forever because God loves it; and in the same everything exists through the love of God.’
In this little thing I saw three attributes: the first is that God made it, the second is that he loves it, the third is that God cares for it. But what does this mean to me? Truly, the maker, the lover, the carer; for until I become one substance with him, I can never have love, rest or true bliss; that is to say, until I am so bound to him that there may be no created thing between my God and me. — Julian of Norwich

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LOVING TENDERNESS
— Hildegard of Bingen

Loving tenderness abounds for all
from the darkest
to the most eminent one beyond the stars,
Exquisitely loving all
she bequeaths the kiss of peace
upon the ultimate King.

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THERE IS NO GOING BACK – Wendell Berry

No, no, there is no going back.
Less and less you are
that possibility you were.
More and more you have become
those lives and deaths
that have belonged to you.
You have become a sort of grave
containing much that was
and is no more in time, beloved
then, now, and always.
And so you have become a sort of tree
standing over a grave.
Now more than ever you can be
generous toward each day
that comes, young, to disappear
forever, and yet remain
unaging in the mind.
Every day you have less reason
not to give yourself away.

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THE WHISTLER — Mary Oliver

All of a sudden she began to whistle. By all of a sudden
I mean that for more than thirty years she had not
whistled. It was thrilling. At first I wondered, who was
in the house, what stranger? I was upstairs reading, and
she was downstairs. As from the throat of a wild and
cheerful bird, not caught but visiting, the sounds war-
bled and slid and doubled back and larked and soared.

Finally I said, Is that you? Is that you whistling? Yes, she
said. I used to whistle, a long time ago. Now I see I can
still whistle. And cadence after cadence she strolled
through the house, whistling.

I know her so well, I think. I thought. Elbow and an-
kle. Mood and desire. Anguish and frolic. Anger too.
And the devotions. And for all that, do we even begin
to know each other? Who is this I’ve been living with
for thirty years?

This clear, dark, lovely whistler?

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COVENANT LOVE

“in love I am more God than I am in myself.” … “It sounds wondrous, that the human being is thus able to become God in love; however, it is true in the eternal truth.” — Meister Eckhart

Covenant love is conscious love. It is intentional love. It is commitment to love no matter what. It requires thought and action. It does not wait for the encouragement of warm emotions but chooses to look out for the interest of the other party because you are committed to the other’s well-being.
Covenant love requires two factors: knowledge of the nature of love and the will to love. Understanding the 5 love languages will give you the information you need to have a successful long term covenant love relationship. Hopefully, as you see the benefits of covenant love, you will also find the will to love. — Gary Chapman

God willeth that we understand [this], desiring with all our heart to have knowing of them [Trinity] more and more unto the time that we be fulfilled: for fully to know them is nought else but endless joy and bliss that we shall have in Heaven, which God willeth should be begun here in knowing of His love. — Julian of Norwich

Peace does not rest in the charters and covenants alone. It lies in the hearts and minds of all people. So let us not rest all our hopes on parchment and on paper, let us strive to build peace, a desire for peace, a willingness to work for peace in the hearts and minds of all of our people. I believe that we can. I believe the problems of human destiny are not beyond the reach of human beings. — John F. Kennedy

We are already one. But we imagine we are not. And what we have to recover is our original unity. What we have to be is what we already are. — Thomas Merton

This is our great covenant:
To dwell together in peace,
To seek the truth in love,
And to help one another.
— James Vila Blake

We are already in union with God! There is an absolute, eternal union between God and the soul of everything. — Fr. Richard Rohr

Sometimes we feel empty; we feel a vacuum, a great lack of something. We don’t know the cause; it’s very vague, but that feeling of being empty inside is very strong. We expect and hope for something much better so we’ll feel less alone, less empty. The desire to understand ourselves and to understand life is a deep thirst. There’s also the deep thirst to be loved and to love. We are ready to love and be loved. It’s very natural. But because we feel empty, we try to find an object of our love. Sometimes we haven’t had the time to understand ourselves, yet we’ve already found the object of our love. When we realize that all our hopes and expectations of course can’t be fulfilled by that person, we continue to feel empty. You want to find something, but you don’t know what to search for. In everyone there’s a continuous desire and expectation; deep inside, you still expect something better to happen. That is why you check your email many times a day!
In a deep relationship, there’s no longer a boundary between you and the other person. You are her and she is you. Your suffering is her suffering. Your understanding of your own suffering helps your loved one to suffer less. Suffering and happiness are no longer individual matters. What happens to your loved one happens to you. What happens to you happens to your loved one. …
In true love, there’s no more separation or discrimination. His happiness is your happiness. Your suffering is his suffering. — Thich Nhat Hanh